I am pleased to present Author Interview #2 with Tatiana Boncompagni: a New York-based journalist and author of the Clyde Shaw mystery series!
Describe yourself in 5 words:
TB: Curious, Athletic, Impatient, Outgoing, Resilient.
Share a short excerpt and blurb of your latest book:
Excerpt: People cheat and people lie. It’s a fact of life I never found particularly newsworthy, except when someone ended up dead. That’s usually where I came in, turning betrayal and blood splatter into TV ratings gold. No Emmys yet, but that just kept me hungry—hungry enough to pick up my phone on a Sunday morning in early November when I ought to have been in deep REM.
— Social Death, by Tatiana Boncompagni
“Social Death is a breathless thriller that takes the reader deep inside the worlds of television news and glitterati New York.”
— Stuart Woods, New York Times bestselling author of Unintended Consequences
Share an excerpt of your favorite author’s work (10-100 words):
“The old saying that some people are ‘born in the wrong cradle’ applies to me. Early on I knew I wasn’t destined to spend the rest of my life in Oklahoma City, where I was born and raised. Still, my steady progression from student to restaurant hostess to salesgirl to collector and philanthropist and, finally, to one of the grande dames of New York is a pretty remarkable story, even if I do say so myself.”
— Social Crimes by Jane Stanton Hitchcock
What do you enjoy about the genre in which you write?:
TB: My latest book, Social Death, is a mystery but my past novels, Hedge Fund Wives and Gilding Lily, were women’s fiction. What I like about writing mysteries is that there isn’t so much pressure to make the female protagonist likeable. You hear that word all the time from agents and editors, “Is she likeable?” And while it is true that there are good reasons for a main character to be appealing, I’m more inspired to create characters who aren’t straight-up nice. I like writing characters who are troubled and make flawed decisions, but whose reasons and behavior are still believable and, more importantly, relatable. I think there is more freedom to do that in the mystery genre than in traditional women’s fiction.
It can be very nice to be free from genre tropes and conventions. What is your definition of “good writing”?
TB: Good writing has two components. First are your sentences and second is how you arrange them. Some writers create sentences that convey emotions or atmosphere in a way that is beguilingly beautiful, poetic really. And other writers craft very good stories, often with an interesting or inventive plot structure. Really good writing has both of those components—sentence and structure—down. I think mysteries tend to be better plotted than they are written, but that’s just a generalization. I can name several authors that bowl me over just with their words. Megan Abbott and Lisa Unger are but two examples.
Please share your #1 tip for writers in the mystery/suspense/thriller genre:
TB: Everyone has a different process, so I think it is often hard to give advice. For me what seems to work is allowing myself to write freely just to get into the story and then take a step back to rework the beginning and hammer or plot out the middle and ending. But first, before chaining myself to any given ending or plot twists, I like to give myself the freedom to see where the story and characters take me.
* * *
TATIANA BONCOMPAGNI is an award-winning journalist and the author of Social Death, Hedge Fund Wives and Gilding Lily. She lives in Manhattan with her husband and three children. Her writing has appeared in dozens of publications, including The New York Times, Wall Street Journal, Financial Times, Town & Country, InStyle and Vogue.
* Social Death is free on Amazon till May 2nd!